
XXXX Reina Sofia Prize in Music Competition

Javier Quislant was born in Bilbao in 1984 and received his first musical training in piano and music theory at the Juan Crisóstomo de Arriaga Conservatory, in his hometown, under the guidance of Agustín Vergara, Olatz Ayastui and Carmen Calzada. His first contact with composition was through the analysis courses by composer Maria Eugenia Luc. In 2006, after following Gabriel Erkoreka’s advice, he began to study music composition with composer and conductor Margarita Lorenzo de Reizabal. He moved to Barcelona in 2007, where he studied the bachelor’s degree in Composition with Agustín Charles at the Escola Superior de Música de Catalunya (ESMUC). He also studied under and received advice from composers Mauricio Sotelo and Aureliano Cattaneo. In 2011 he moved to Graz (Austria) to study the master’s degrees in Music Composition and Music Theater Composition under composer Beat Furrer at the Universität für Musik und Darstellende Kunst Graz, finishing both with honors.
In 2016 he took part in the ManiFeste Festival, in Paris, organized by the IRCAM, with the works “In praesentia” and “Two pieces for orchestra”, premiered by the Ensemble Intercontemporain and the Orchestre Philharmonique de Radio France. In 2017 he made his debut at the Wien Modern festival (Vienna) and obtained the Musikförderungs Preis der Stadt Graz (Composition Prize of the City of Graz). In 2018 he was awarded the Music Composition Prize of the Colegio de España en París y del INAEM; and his first chamber opera, “Mirada antigua (Stimmtheater – teatro de la voz)” was premiered within the Oper der Zukunft (opera of the future) project, sponsored by the Graz Opera and the Kunst Universität Graz.
In 2019, AEOS and the SGAE Foundation commissioned the composition of “Tiempo silente”, which premiered in April 2022, the season of the Bilbao Symphony Orchestra’s (Bilbao Orkestra Sinfonikoa BOS) 100th anniversary, under the baton of Erik Nielsen. In 2020, “Entra la aurora en el jardín”, a work commissioned by the ensemble recherche (Freiburg, Germany) and the Frakzionen Festival, was premiered and received the Franz Schubert und die Musik der Moderne composition prize (Graz, Austria).
In 2020, he was selected as a music fellow by the Real Academia de España en Roma and received the 2020 Leonardo Grant for Cultural Creators and Researchers awarded by the BBVA Foundation. Working on both projects at the same time, for Rome he composed “Sinuoso tiempo. Ciclo para cuarteto de cuerda”, premiered by the string quartet of the Klangforum Wien; and for the Leonardo Grant he composed “Espacio en penumbra (tres obras para ensemble)”, which premiered at the ORF Radiokulturhaus (Vienna), also performed by the Klangforum Wien under the baton of Bas Wiegers. The Sociedad Filarmónica de Badajoz and the Centro Nacional de Difusión Musical/INAEM commissioned the work “An der Schwelle”, performed by the Ensemble LUX:NM (Berlin) for the first time in October 2021, within the XII Ciclo de Música Actual de Badajoz and the CNDM season, in the Auditorium 400 of the Museo Reina Sofía.
One of his main artistic interests is to explore sound in relation to literature and film.